Ray Harryhausen, the undisputed master of stop-motion animation, has passed away at age 92. As others have noted, he didn't create the special effects technique of animating small models one frame at a time, but he perfected it in a series of imaginative motion pictures that, regardless of their other merits (or lack thereof), will endure forever because Ray somehow managed to breath convincing life into his menagerie of mythological and fantastical creations, working in solitude for months at a time. There have been other talented stop-motion animators (including Harryhausen's own mentor, Willis O'Brien), but few managed to imbue their characters with quite as much personality and "soul."
The movies he made will always be remembered, but it is all of the artists and animators, filmmakers and authors that he inspired that will be his true and greatest legacy... and I count myself among them.
R.I.P. Ray. There's considerably less magic in the world today.
As you all probably know, my Gravediggercollaborator/co-creator/artist extraordinaire Rick Burchett is also one of the creative forces behind another prominent webcomic, Lady Sabre And The Pirates Of the Ineffable Aether, which is written by best-selling novelist and famed comic scribe, Greg Rucka.
Well, they’ve been producing their bi-weekly, swashbuckling steampunk aerial adventures for a year and a half or so, and are now planning the first hardcover trade collection. In order to put together the best possible print edition, they’ve just launched a Kickstarter campaign. If you click on that link, you’ll see exactly what they have planned, and what they’re asking, along with the rewards they’re offering to contributors.
If you love action-adventure comics, you owe it to yourself to check out Lady Sabre. You already know what an accomplished artist and storyteller Rick is, and in Lady Sabre he’s really cutting loose with some of the finest work of his career. I’ll be kicking in to the campaign, and suggest you consider doing so, as well.
It’s a great comic… and you can never have too many of those.
A very stylish trailer for a new, Italian Diabolik television series, based on the classic Eurocomic. I wonder what the chances are of ever seeing this on my side of the Atlantic?
Two posts in one day, each spotlighting new action movie posters... we know I'm looking forward toArnold Schwarzenegger's comeback vehicle, The Last Stand, mostly because it looks like big, dumb fun. And that's why I'm posting this - because the poster's comic book art style really pushes my buttons, and promises exactly what I want from this flick. The original teaser poster was okay, but I friggin' love this one.
I'm looking forward to Sylvester Stallone's upcoming crime/action flick, Bullet To The Head. I'll admit, though, that I'm mostly intrigued by the fact that it's the first feature film that Walter Hill has directed since 2002's Undisputed (which, I have to say, I've never seen). I am generally a fan of Hill's films, though, especially stuff like The Warriors, The Long Riders, 48 Hours, Streets Of Fire, Crossroads, Johnny handsome, Trespass, Last Man Standing and Extreme Prejudice.
And yeah, I like Stallone a lot, too. Bullet To The Head, based on a French graphic novel called Headshot (or, more precisely, Du plomb dans la tête, which roughly translates to "Lead in the Head"), by Alexis Nolent (aka "Matz"), hits theaters on February 1st.
Well, here's the new trailer for Lionsgate's The Last Stand, Arnold Schwarzenegger's action movie comeback (aside from his extended cameo in The Expendables sequel). I don't know about you, but it looks like fun to me, with some terrific action sequences and a nice, self-deprecating wit. Plus, Luis Guzman and the Conan sword. I'll definitely be seeing this one.
There are several genre films I'm looking forward to in 2013, including Iron Man 3, the next Star Trek movie, and the new Wolverine film. But the one I'm most eager to see is the giant robots vs giant monsters flick from Pan's Labyrinth/Hellboy director Guillermo del Toro, Pacific Rim.
I think del Toro is one of the great visual stylists working in movies today, and when it comes to cinematic fantasy, I don't think there's a better director out there. Plus, you know: giant robots & monsters.
ADDENDUM 12/12/12: The full teaser trailer went online today. Check this out:
Back when Superman Returns hit theaters, Warner Home Video released the first season of the Illya Salkind-produced Superboy syndicated television series from 1988 on DVD. Reportedly, it didn't sell very well, and that's probably because so few people even remembered the show existed.
Well, also because the first season (the show ended up running for a total of four) was pretty weak.
That first season starred John Haymes-Newton as the college student of steel, Clark Kent, attending Shuster University in Florida (where the show was shot as one of the first series filmed at the Orlando Disney/MGM Studios). Newton looked good in the classic red & blue union suit, but was, frankly, a wooden performer. It didn't help either that the scripts for that first season were generally pretty pedestrian and the shoestring budget was extremely obvious. Pretty Stacy Haiduk (later of Seaquest DSV) was a sexy and likable Lana Lang, though. I also liked the casting of Stuart Whitman as Pa Kent.
Somehow the show garnered good enough ratings (it aired on weekend afternoons in most markets) to get a second season, and things improved considerably. The writing - by a number of actual DC Comics veterans like Andy Helfer, Cary Bates, Denny O’Neil and Mike Carlin - got a lot better and more imaginative, and Newton was replaced by the more charismatic Gerard Christopher.
There were some cool guest stars in that second season, too, including George Lazenby (On Her Majesty’s Secret Service) and Britt Ekland (The Man With the Golden Gun) as Clark's Kryptonian parents Jor-El and Lara; Philip Michael Thomas (Miami Vice) as Brimstone; Michael J. Pollard as Mr. Mxyzptik; as well as Keye Luke, Richard Kiel (The Spy Who Loved Me), and even Gilbert Gottfried.
The budget was still low, but the producers were a lot more creative with their money, and the show looked much better in the second season, too. The special effects were about what you'd expect in 1989-90; you may not have believed a boy could fly... but it could have been a lot worse.
I guess in anticipation of the new Man Of Steel movie due next Summer, Warners' manufacture-on-demand label, Warner Archive, will be releasing the second season of Superboy on DVD next Tuesday. Those multi-disc MOD sets can be pricey, but I'm hoping to pick it up soon. I really enjoyed the show back in the day, and would very much like to add it to my vast DVD library.
I mean, what the Hell - I bought the first season.....
Next week, Echo Bridge entertainment will be releasing one of the two remaining Godzilla films not yet available in the U.S. on DVD and Blu-ray: 1989's Godzilla Vs Biollante.
I've already preordered my Blu-ray copy, and I'm hopeful that Echo Bridge put in a little extra effort on this title, seeing as they generally specialize in cheap, no-frills "budget" releases aimed at the K-Mart and Wal-Mart consumer. Little things like audio-visual quality and presenting movies in their correct aspect ratios tend to be unimportant to them - at least, based on some of the EB titles I've seen.
Still, they've done okay jobs on some of the other films they've licensed from Miramax, and the advance word on this disc is fairly encouraging. It's supposed to be in the correct 1.85:1 aspect ratio, and includes the original Japanese audio (my preference) as well as the English dub. There's supposed to be multiple subtitle options and even a couple bonus features. I'm hopeful, and eager to add this one to my kaiju eiga library.
Now if only someone would manage to clear the U.S. video rights to Godzilla 1984/1985 - preferably both the original Japanese cut and the American edit released by New World in '85 with Raymond Burr reprising his role from the American version of the first Godzilla film in 1954.