May 052013
 

Often known simply as STRANGE TALES because those two words dominated the logo, this was one of the best-known rivals of WEIRD TALES. STRANGE TALES published some classic stories by many of the same authors who appeared in WT. For example, this issue (the third) features stories by Jack Williamson, Edmond Hamilton, Clark Ashton Smith, Hugh B. Cave, August Derleth, and Henry S. Whitehead, all of whom published major stories in WEIRD TALES as well. And it has a fine cover by H.W. Wesso illustrating Williamson's great novella "Wolves of Darkness". What a gem of an issue.
Apr 172013
 
In Conversation: Paolo Bacigalupi, Lauren Beukes, and Jesse Bullington:

Join us for a Google hangout with Lauren Beukes, author of The Shining Girls, as she talks about all things crime and fantasy with authors Jesse Bullington and Paolo Bacigalupi.

The chat will be taking place next Monday the 22nd at 2pm EST. Do you have any questions for Lauren?

Mar 292013
 

My write-up a few weeks ago of Dennis Wheatley's The Man Who Missed the War mentioned in passing that it shares something with books of the "lost race" subgenre of adventure stories, but it happens to be one of the more outrageous examples. This week's book, The Starkenden Quest (1925), is instead an anthropological treatment of the subgenre. There is a chapter entitled "The Mystery of the Ages" in which one of the more mysterious characters reveals his professorial background in a long lecture that manages to epitomize all of the philosophies of the lost race theme. It is a near desperate attempt to link all humans via religion, culture, mythology and race to one origin. The lecture almost convinces me that Collins was the Joseph Campbell of his day.

Down on his luck and down to his last few shillings, our narrator John Crayton finds himself marooned in Yokohama at the Four Winds Hotel. A financial disaster has nearly wiped out his bank account back home in England and he needs a job quickly in order to pay his hotel bill or risk jail in Japan. A fortuitous encounter with the shady and morose Abel Starkenden in a local bar changes his luck.

Starkenden has just single-handedly fought off a group of carousing and offensive sailors. Crayton is impressed by the fighting -- a combination of verbal assault and agile fisticuffs -- and he sidles up to Starkenden for a chat.  The conversation soon turns to Crayton's sorry state of affairs, his pathetic scouring of the want ads, and Starkenden's very strange job offer.  He asks Crayton to join him as a member of his team of explorers and will pay him £300 plus expenses throughout the journey. If Crayton accepts the position, Starkenden will also pay the outstanding hotel bill and release him from that obligation. What choice does he have really? He agrees and later at Starkenden's hilltop home in a British settlement in Yokohama he meets Gregory Hope who was similarly recruited as part of the team. The two listen to a series of legends and anecdotes about the Starkenden family and their ties to ancient mysteries and relics first discovered by his Norse ancestors.  Crayton and Hope find their lives almost immediately transformed from the lackluster to the astonishing.

The three set off in search of Starkenden's brother Felix who was abducted by a savage race known as the "devil men of the hills."  Armed only with an old map from Felix' one time exploring partner Starkenden is determined to find not only his brother, but the source of a hidden treasure trove of odd gems that emanate a powerful blue light that he calls "eyestones."  They are harder than diamonds and extremely rare which he believes make them the most valuable jewel on Earth.  Should they locate the source of the eyestones all three of them will be rich for the rest of their lives.

Initially, Gilbert Collins' third novel appears to be just another in a long line of quest adventures similar to the work of Haggard, Bedford-Jones and all the Indiana Jones movies.  Among the many set pieces Starkenden and his two explorers-for-hire encounter are a run-in with Chinese pirates, crossing a raging river of white rapids in a most unusual fashion, and travelling through an ancient cavern equipped with a lantern made from a human skull. But it is their encounter with Starkenden's arch enemy Coningham that changes the team's intended plans. Coningham is seen in the company of Marah Starkenden, daughter of the explorer, and the trio believe she has been kidnapped. The object of the quest then immediately turns to rescuing Marah from the clutches of a man described as treacherous and evil. When they finally meet face to face in a cavern that is home to the lost race (ah, there it is!) of the Ktawrh, fearsome and dwarfish ape-like creatures, there will be multiple surprises in store for the explorers and the reader.  No one is who they say they are, assumed identities are unmasked, roles are reversed, and the novel becomes both a crime story and a fantasy adventure all at once.

For me what raises this above your standard She-Who-Must-Be-Obeyed style of lost race tale (yes, there is a white goddess-like character) is the setting of Southeast Asia and Collins' painstaking detail to the geography, culture, superstitions and religions of that part of the world. Nothing is wholly made up here, much of it is based on facts circa 1925. In many lost race novels we mostly get imaginative fancies, absurd leaps in logic, monsters and weird creatures. While there is still an element of imaginative fantasy much of the story owes its success to Collins' insightful inclusion of anthropological discoveries and Darwinian theory.  I wouldn't recommend the book to a Creationist, that's for sure.

While E.F. Bleiler finds too much similarity to Haggard in The Starkenden Quest and criticizes its verbose length and complex plot (faults I am willing to forgive more easily) he praises Collin's other lost race novel Valley of the Eyes Unseen which he touts as "a convincing story of geographical adventure with adult detail, and an excellently imagined fantastic situation in Hellas."  I think the same can be said of The Starkenden Quest with the mere substitution of Indochina as the last word. Collins is well worth investigating for readers who like intelligent rousing adventures.

The Starkenden Quest was popular enough in its day to merit being reprinted in the pulp magazine Famous Fantastic Mysteries in the October 1949 issue. Several illustrations by the phenomenally talented Virgil Finlay are used from that issue for this post. Valley of the Eyes Unseen was also reprinted in a 1952 issue of the same magazine.  I suspect they both underwent extensive abridgement.

In 1930 after publication of three adventure novels Collins turned his writing to crime and detective fiction. He was born in 1900, but I could only trace his bibliography from 1922 to 1937.  I have no idea if he abandoned writing in the 1940s or if he died extremely young, perhaps one of the many casualities of World War 2. Any other info on Collins is greatly appreciated. I plan on reviewing one more lost race book and a few of his detective novels in the coming months.

Gilbert Collins Bibliography
Flower of Asia (1922)
Valley of the Eyes Unseen (1923)
The Starkenden Quest (1925)
Post-Mortem (1930)
Horror Comes to Thripplands (1930)
The Phantom Tourer (1931)
     US title: Murder at Brambles
The Channel Million (1932)
Chinese Red (1932)
      US title: Red Death
The Dead Walk (1933)
Death Meets the King's Messenger (1934)
The Poison Pool (1935)
The Haven of Unrest (1936)
The Mongolian Mystery (1937)
Mystery in St. James Square (1937)
 Posted by at 5:09 am
Feb 032013
 
Work: The Five Jars by M.R. James
(Edward Arnold & Co., 1922)

Artist: Gilbert James

The Five Jars is subtitled "Being More or Less of a Fairy Tale Contained in a Letter to a Young Person." Its author M.R. James is better known as a writer of ghost stories for adults. Whether or not the story is truly intended for young people is a matter of opinion. The whimsical drawings by Gilbert James seem to imply that it is. A mix of the fanciful, the creepy, and the bizarre the story would appeal to any reader who appreciates the outre and the supernatural in fiction.

Once available only in its original rare 1st edition or the somewhat scarcer 1927 reprint (a copy of which I own and is pictured above) The Five Jars has been extensively reprinted in a variety of hardback and paperback editions. Numerous POD and eBooks make it even easier for anyone interested in reading the light and fanciful tale.

Below a sampling of the seven illustrations by James.  I found little on the artist other than that he illustrated in full color an edition of The Rubaiyat of Omar Khayyam (L. C. Page, 1899).

Click to enlarge any of the pictures below for better viewing.






 Posted by at 8:01 pm
Sep 162012
 
Work: The Circus of Dr. Lao by Charles G. Finney
Publisher: Ben Abramson, 1945 (a reissue of the 1935 1st)
Artist: Boris Artzybasheff (1899 - 1965)

I first came to know of the work of Boris Artzybasheff through his dust jacket illustrations for Doubleday Doran's Crime Club mystery novel imprint. He did nearly every book of Clyde Clason's as well DJs for books by Stuart Palmer, Todd Downing and Aaron Marc Stein.  Those are the few who I can think of off the top of my head.  I'm sure there are more.

I always thought his trademark was fantastic surrealism. But he is a talented artist of many moods and styles. He illustrated several children's books and even wrote a few of his own. Writing must be in the family genes -- his father was noted novelist Mikhail Artzybasheff.

In my exhausting internet research on Boris (there is a wealth of info out there) I discovered a huge portion of his work was done for Time magazine.  Between 1941 and 1965 he did 215 covers, a mix of bizarre mechanical nightmares, humorous surreal illustrations, and surprisingly realistic portraits.  Among the more famous are his portraits are Josef Stalin, jazz musician/composer Dave Brubeck, and mystery writer Craig Rice.

For this post I have chosen some of his vividly imagined, other worldly drawings. To me it's very reminiscent of the artwork of Hannes Bok of Weird Tales fame. The illustrations below are taken directly from an illustrated edition I own of The Circus of Dr. Lao, the allegorical fantasy by Charles G Finney.  It became a very different story in the 1964 movie retitled The Seven Faces of Dr. Lao with Tony Randall in the title role(s).  Click on images for full appreciation.

You can find all sorts of information about this artist all over the internet. But I recommend starting here for the best variety of his artwork.

The endpapers


 Posted by at 8:44 pm
Aug 122012
 
This is an issue I read several years ago. The William P. McGivern novel is a pretty good one, starting out as a hardboiled espionage yarn before turning into a lost race story. When I was younger I knew McGivern only as a mystery writer (the local library had a number of his books) and was surprised when I found out how much science fiction and fantasy he had written. Also in this issue is a Toffee story by Charles F. Myers, and those are always entertaining. Plus stories by Theodore Sturgeon and several other writers I'm not familiar with, who may or may not have been house-names. I'm not a huge fan of FANTASTIC ADVENTURES, but there are some good stories to be found in it.
Aug 102012
 


(Another new novel in the Fathomless Abyss series. These are excellent fantasy yarns.)

She was born there, in the Smog, every day breathing more smoke than air. She was strange, even in a bottomless hell full of creatures from a million worlds. She was doomed to a life of servitude. She was lonely. She was worried about her dying father. She was suspicious of her lying mother. She was scared. She was getting angry.

And she wanted answers.

The Fathomless Abyss can open any time and anywhere, and things fall in, or crawl in, from a million worlds across a million years. Deep in the bottomless expanse of this impossible world lies a doorway to truth, or an entrance to an even worse hell.

Join ground-breaking fantasist J.M. McDermott, author of Last Dragon and the Dogsland Trilogy for a trip deep into the nightmare of self, and the burning desire for redemption.
Aug 022012
 



For several years now I've been meaning to give the Rogue Angel series a try. I love action/adventure novels, I love history, I love fantasy, and I love stories with kick-ass heroines. So I'm definitely the target audience for a series like this. The fact that I hadn't read any of the novels until recently is just another case of too many books, not enough time.

But the release of the latest entry in the series, MAGIC LANTERN (by my buddy Mel Odom writing under the Alex Archer house-name), finally prompted me to get around to it.

Before I read MAGIC LANTERN, though, since I already had a copy of DESTINY, the first book in the series (also by Mel Odom), it seemed to make sense to go ahead and start with it. The books are stand-alones for the most part, which is common in a series written by multiple authors, but DESTINY serves as the protagonist's origin story, to use a comic book term.

Annja Creed is an archeologist who finances her academic efforts by working as one of the hosts of a cable TV series called CHASING HISTORY'S MONSTERS. It's pretty sensationalistic, but it allows Annja to pursue various historical mysteries that interest her. She's in France trying to hunt down the truth about a rash of serial killings several centuries earlier that were attributed to an alleged supernatural beast, when she stumbles into a dangerous criminal's search for some ancient treasure. In the course of this, Annja also encounters a couple of enigmatic, somewhat sinister individuals, Roux and Garin, who are either old (and I do mean old!) friends, deadly enemies, or both.

The upshot of this is that Annja winds up recovering the last fragment of the broken sword that once belonged to Joan of Arc, and once it's placed with the other fragments, the sword reforms into a mystical weapon that only Annja can use, as well as giving her increased speed and strength to go with her already formidable fighting and survival skills. (That's not really a spoiler, since it is the basic concept of the series and is spelled out pretty plainly in the cover copy on all the books.) Naturally Annja untangles a centuries-old conspiracy, uncovers the truth about the treasure and the murders, and defeats the villains.

As MAGIC LANTERN opens, she's in London on the trail of a new serial killer who calls himself Mr. Hyde and claims to have uncovered the formula that transformed Robert Louis Stevenson's mild-mannered Dr. Jekyll into the brutal monster. However, she's quickly diverted into a different mystery involving the murder of an 18th Century French phantasmagorist who staged horrific magic lantern shows for wealthy Parisians. At least two different groups of villains are after an ancient lantern the murdered Frenchman brought back from China, a lantern which has recently surfaced in London and is in the possession of an English professor of literature befriended by Annja.

As you can tell, these books are not lacking for plot elements. Odom does a very skillful job of weaving them all together, even though there were a few times when I wondered how in the world he was going to tie everything up. But he does, and in ways that make perfect sense. Along the way there are plenty of very well-written action scenes, and Annja is a very likable heroine who reminds me a little of Modesty Blaise. I really enjoyed the well-researched history angles of these novels, as well.

Several other authors have written Rogue Angel novels, with Victor Milan being the most prolific of them. I plan to read some of them as well. And I think I have most, if not all, of the ones Mel has written, so I definitely plan to read them. For now, though, I had a great time reading DESTINY and MAGIC LANTERN, and both of them get a high recommendation from me. 

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