Nicholas Mennuti and David Guggenheim’s globe-trotting suspense novel about a government contractor in exile went on sale this week, and if you were one of the book’s early readers, you know why Universal Pictures snapped up the film rights so quickly: Weaponized is a lush, rollicking tale, just as much immersed in the exotic cities of Cambodia as it is in the troubling consequences of government surveillance gone awry. It’s a story that begs to be seen as much as read. But what would the soundtrack for that movie be? Here to offer a playlist is none other than Nicholas Mennuti himself. You can listen to some of these songs through the Spotify player above.
Depeche Mode – “Barrel of A Gun”
Depeche Mode has always been one of my top five bands and their Violator album has exalted status on my list of desert island discs. “Barrel of A Gun” actually comes from their Ultra album—which, in my humble opinion, is their best after Violator, and may also be their darkest album overall (which means it’s dark). “Barrel of A Gun” will put you in the right frame of mind for Weaponized before you even crack the spine.
UNKLE – “Lonely Soul”
One of the greatest songs about isolation ever recorded. The beat is all jangly electro and the vocals by The Verve’s Richard Aschroft are haunting. One refrain sums up Weaponized better than I ever could: “I’m gonna die in a place that don’t know my name.”
Planningtorock – “I’m Your Man”
Planningtorock is actually just Janine Rostron, an experimental British musician who distorts the vocals in her songs to play around with gender identity and to better suit the mood of each individual track. It sounds heavy—it isn’t; you can dance to it. She’s done some softer beats, but “I’m Your Man” is pure paranoia all the way. It’s not easy listening, but neither is Kyle’s journey in Weaponized, and this track helped me set the mood for his inner monologues.
Jerry Goldsmith – “Basic Instinct – Main Title Theme”
After Bernard Herrmann, Jerry Goldsmith—to me—is the greatest Hollywood composer of all time, and Basic Instinct has one of his signature scores. If Robinson ever had theme music, this would be it: slinky, seductive, and dangerous as hell. Also, bonus points to this score for having the second greatest simulated orchestral orgasm after Wagner’s “Tristan and Isolde”.
Chemical Brothers – “Container Park”
Film music has undergone many metamorphoses over the years, but hiring Daft Punk to score Tron:Legacy was a big one. Hollywood has never known what to do with electronic music, even when it embraced the synthesizer in the 80’s, but Daft Punk changed that. Since then, Orbital, Hybrid, M83, and others have made excursions into film scoring—but none with the force of The Chemical Brothers in the score for Joe Wright’s Hanna. Try listening to “Container Park” and not feel the danger.
Muse – “MK Ultra”
I don’t want to call Muse a guilty pleasure, but I kind of have to. It’s the best arena rock of the 2000s. I unabashedly love this song and can’t decide whether it’s because of the song itself or just the title—but either way I listened to it fairly regularly while writing the CIA sections in Weaponized.
David Bowie – “I’m Afraid of Americans”
Earthling was Bowie’s big late-90’s comeback album wherein he fully embraced electro, sort of like Madonna’s William Orbit–stamped “Ray of Light.” No playlist I construct would lack Bowie, but this song’s special even for the master himself and really contributed to the paranoid lost soul quality of Kyle in Weaponized.
John Murphy – “Mercado Nuevo”
In my opinion, Michael Mann’s Miami Vice is the most underrated film of the 2000s, and by extension, so is John Murphy’s propulsive score. Murphy’s done memorable work for Danny Boyle—28 Days Later and Sunshine—but his work for Mann really shines. “Mercado Nuevo” is the perfect music for driving into denied territory, exactly what Kyle and Lara spend a lot of time doing in Weaponized.
Public Image, Ltd – “The Order of Death”
Public Image Ltd was John Lydon’s (Johnny Rotten) first band after the Sex Pistols ended and is considered by many—me included—to be the first and potentially the best “post-rock” band. This particular track may be their crowning achievement and sets the mood for the last few chapters of Weaponized—that’s all I can say.
Tangerine Dream – “Thru Metamorphic Rocks”
I’ve got a serious spot in my heart for 70s and 80s Krautrock, and it doesn’t get much more epic than Tangerine Dream. This track is close to fifteen minutes long—my favorite part comes in at around five minutes in. I listened to it obsessively while writing the first time Kyle and CIA agent Tom Fowler encounter each other in a hotel room. Read the chapter and you’ll see why…
Thievery Corporation – “The Forgotten People”
Choosing a Thievery Corporation track is as much about celebrating how much all their music contributed to Weaponized as it is a public service announcement. No band has gotten me laid more consistently than Thievery Corporation (maybe Massive Attack did, too, I have to think). So listen to this track, which I did, while writing the early Phnom Penh scenes in Weaponized, or just buy the whole album Radio Retaliation and thank me later.
Wang Chung – “City of the Angels”
This is another epic action track, over nine minutes; my favorite part kicks in just over one minute in. This was Lara’s theme music for me, particularly when it came time for her to start shooting people. Also To Live and Die in L.A., directed by William Friedkin, is one of my favorite films ever. Don’t let the 80s prejudice you or the fact it’s by Wang Chung dissuade you—this is film scoring of the highest order.