Archive for the 'Friday ‘s Forgotten Books'

Friday’s Forgotten Books, June 14, 2013

Two weeks until Elmore Leonard Day. For anyone who has a review but no blog, please send your review to me.  












SIDESWIPE, Charles Willeford

Following MIAMI BLUES and NEW HOPE FOR THE DEAD, Miami homicide detective Hoke Moseley abandons his pregnant partner and housemate, Ellita Sanchez, and his two daughters to manage his father's apartment complex in Riviera Beach, Florida. 

When the book begins he cannot even get himself out of bed. 


Stanley Sinliewicz, a Ford retiree spending a night in jail, does a favor for a killer named Louden, which results in his release from jail. The two then embark on an odyssey which can only lead to disaster.

Hoke soon finds the simple life is easier to envision than envelop. Coping with a job offer from the local police, a string of local burglaries, and a daughter with an eating disorder puts him back on the path home. Playing the disinterested father can only go so far. 


Like others in the series, SIDESWIPE is packed with action and humor. Elmore Leonard says no one writes a better crime novel than Willeford. Who am I to argue with that? Walter Mosley claims he reads Willeford for a break for the monotony of endless grimness. There is a real art to telling a hard-boiled crime story with this much humor. 

 This is my favorite of the Hoke novels although I am saving the final one. 


Joe Barone. SHALLOW GRAVES, Jeremiah Healy 
Brian Busby, THE BROKEN TRAIL, George W. Kirby
Bill Crider, TAKE MY FACE, Peter Held (Jack Vance)
Martin Edwards, THE 10:30 FROM MARSEILLES, Sebastian Japrisot
Curt Evans, STUDIES IN MURDER, Edmund Lester Pearson
Jerry House, MOON MISSING. Edward Sorel
Randy Johnson, WEB OF THE CITY, Harlan Ellison
George Kelley, DEAD LOW TIDE and ONE MORE SUNDAY, John D. Macdonald
Margot Kinberg, THE LODGER, Maria Belloc Lowndes
B.V. Lawson, DR. NICHOLA RETURNS, Guy Boothby
Evan Lewis, MORE LONE RANGER, Big Little Books
Steve Lewis , IT TAKES A THIEF #3, APPOINTMENT IN CAIRO, Gil Brewer
Todd MasonTHE MEN IN MY LIFE by Vivian Gornick; BENCHMARKS CONTINUED by Algis Budrys...books about books and writers...
Neer, DEATH IN RETIREMENT, Josephine Bell
J.F. Norris, MURDER IN A NUNNERY, Eric Shepherd
J. Kingston Pierce, THE BIG FIX, Roger Simon
James Reasoner, TO THE HEART OF THE STORM, Will Eisner
Gerard Saylor, ON THE WRONG TRACK, Steve Hockensmith 
Michael Slind, THE MURDER OF ROGER ACKROYD, Agatha Christie
Kerrie Smith, THE MAKEOVER MURDERS, Jennifer Rowe
Kevin Tipple/Barry Ergang, THE VANISHERS, Donald Hamilton
TomCat, THE SHADE OF TIME, David Duncan
Prashant Trikannad, NO COMEBACKS, Freerick Forsythe
James Winter, THE POET, Michael Connelly

Friday’s Forgotten Book, Friday, May 24, 2013

A reminder that June 28 is Elmore Leonard day on FFB. Feel free to join in. I will post any reviews from those without blogs. 



THE BLANK WALL, Elisabeth Xanxay Holding.


Elisabeth Sanxay Holding has been recommended on FFB many times and I finally got my hands on two of her books after Megan raved over them too.  In THE BLANK WALL, Lucia Holley's husband is away fighting  during  WW 2, and she is in charge of her aging father and two children. Bee, the seventeen year old, has become involved with an older man (Ted Darby) who manages to put off Lucia on their first meeting, and a few pages later, he turns up dead in the water. Lucia believes her father is responsible and sets out on a course to protect her family. 
Ted Darby’s nefarious associates soon turn up, with material to blackmail Lucia. Lucia suddenly becomes plunged into a world she knows nothing about. Her focus throughout, however, is not on how to save own reputation or life, but those of her family. She gives no thought to her own safety as she does what she believes will save them. She has help from her maid, Sibyl, who knows more of the world than her mistress and is also a keen observer. Both children dismiss their mother as unworldly, dull, and incompetent even as she works to keep them from harm's way. Their scorn for her is sadly but truthfully observed. Clearly Holding was a first -rate observer of what the lives of women were like at the time. Married women were seen as little more than children.  As the story progresses, Lucia's strength grows and she becomes more savy in her problem solving. 
Parts of this book were quite amusing. One of the scoundrels becomes quite taken with Lucia and tries to help her as much as he can. But mostly, it was terrifically suspenseful and the pages turned quickly. This is more a character study than a classic crime novel and I think that is what Holding wrote early in her career. She turned to suspense novels to make a living when the need arose and was highly successful. This s novel was twice adapted for the screen. (RECKLESS MOMENT and THE DEEP END).

Sergio Angelini, HAPPY BIRTHDAY, TURK, Jakob Arjouni
Joe Barone, NOBODY'S PERFECT, Donald E. Westlake
Les Blatt, FATAL DESCENT, John Dickson Carr
Brian Busby, TAN MING, Lan Stormont
Bill Crider, BLACKBURN, Bradley Denton                                                                                                                                   
Scott Cupp, LOST GIRL OF THE LAKE , Joe McKiney and Michael McCarty
EARTHMAN'S BURDEN, Poul Anderson, Gordon Dickson
Martin Edwards, MURDER ISN'T EASY, Richard Hull
Curt Evans, THIRTEEN MEN, Tiffany Thayer
Randy Johnson, TRACE, Warren Murphy
George Kelley, DEADLY WELCOME, John D.MacDonald
Margot Kinberg, WHEN THE BOUGH BREAKS, Jonathan Kellerman
Kate Laity, LADYKILLER, Elisabeth Sanxay Holding
B.V. Lawson, THE ALBERT GATE MYSTERY, Louis Tracy
Evan Lewis, THE SHADOW IN TRAIL OF VENGEANCE, Walter Gibson                                                                                                                                 
Steve Lewis/William Deeck, THE LYING LADIES, Robert Finnegan
Todd Mason, FREE ZONE and TENDER LOVING RAGE, Charles Platt  
Neer, NIGHT SCREAMS, Bill Pronzini and Barry Malzberg
J.F. Norris, THIRTEEN WOMEN, TIffany Thayer
James Reasoner, THE CASE OF THE SUN BATHER'S DIARY, ERLE STANLEY GARDNER
Gerard Saylor, THE BIRDMAN, Mo Hayder
Ron Scheer, THE SPELL OF THE YUKON, Robert W. Service
Michael Slind
Kerrie Smith, ORDEAL BY INNOCENCE, Agatha Christie
Kevin Tipple/Patrick Ohl, THEY LOVE NOT POISON, Sara Woods
TomCat, TRICKS, Ed McBain
James Winter, GERALD'S GAME, Stephen King
Zybahn, WINTER CRIMES 8 edited by Hilary Watson

Friday’s Forgotten Books, Friday, May 3, 2013

Friday's Forgotten Books









Ed Gorman is the author of several series of crime fiction books as well as standalone mysteries, westerns, and the editor of many anthologies.

Rendezvous In Black by Cornell Woolrich

Forgotten Books: Rendezvous In Black by Cornell Woolrich

This is one of Woolrich's famous "Black" books and black it is. Bleak as David Goodis gets his protagonists usually attempt to make some kind of connection to another human being. Not with with Woolrich.

I'm not going to describe the set-up here because laid it flat it is so outlandish you might think twice about reading the book. But Cornell Woolrich was nothing if not shrewd. By the time you figure out what's going on you've had a chance to prepare yourself. You've been putting it all together piece by piece so when the picture is complete you just nod and accept it.

And anyway as with most Woolrich books and stories the set-up doesn't matter all that much anyway. What makes Woolrich Woolrich is how his protagonists respond to the set-up. This novel is built on a series of richly detailed character studies of several men who have begun dying in ways that would be ironic even to them if they could step back and see it with any objectivity.

Woolrich is often compared to Poe and while I think that's fair--they are both masters of claustrophobia and obsession--I think in all Woolrich's real literary father was Guy de Mauppassant. Woolrich has de Mauppassant's fascination with society high and low for one thing, and a sly ear and eye for realistic daily life. There is a lot of Edward Hopper in Woolrich's word paintings of the Thirties and Forties. I'm not sure that Poe an equivalent interest in his own time.

This is my favorite Woolrich novel which is to say that he has told a story of such cleverness and nihilistic power you see why Woolrich is so revered. This is one of those books, one of those books that crush, and linger on long after you finish it.




Patricia Abbott is your host. Patricia Moyes' series. (from 2008)

I don't have adequate time to do Patricia Moyes justice, but when I think back to the various detective series I read in my twenties, one that stands out for me is Patricia Moyes' series of mysteries about Inspector Henry Tibbett, who solved many of his cases with the help of his wife, Emmy. I found their marriage as well as their cases fun.

Anthony Boucher wrote this in the NYT at the time of the first of the series, DEAD MEN DON'T SKI.

“If you’re as hungry as I am for a really good whodunit. you will welcome the debut of Patricia Moyes."

We may not be as hungry for whodunits as we were then, but they can still be very satisfying when done well. If I can count on my memory, these were.

The setting for that first book DEAD MEN DON'T SKI was the Italian Alps, where Henry Tibbett, on vacation from Scotland Yard. Henry and his wife. Emmy, have settled in for some skiing, when Henry uncovers a smuggling ring, which includes hotel guests.
Then a guest who was alive when the ski lift began its descent is found dead when the lift touches bottom.

Henry Tibbett, Chief Superintendent of Scotland Yard, gave me many hours of pleasure and I remember sadly the day when I learned of Moyes' death.

Here are the books in the series:

Dead Men Don't Ski (1958)
The Sunken Sailor (1961)
aka Down Among the Dead Men
Death On the Agenda (1962)
Murder a La Mode (1963)
Falling Star (1964)
Johnny Underground (1965)
Murder By Threes (1965)
Murder Fantastical (1967)
Death and the Dutch Uncle (1968)
Who Saw Her Die? (1970)
aka Many Deadly Returns
Season of Snows and Sins (1971)
The Curious Affair of the Third Dog (1973)
Black Widower (1975)
To Kill a Coconut (1977)
aka The Coconut Killings
Who Is Simon Warwick? (1978)
Angel Death (1980)
A Six Letter Word for Death (1983)
Night Ferry to Death (1985)
Black Girl, White Girl (1989)
Twice in a Blue Moon (1993)
Collections:
Who Killed Father Christmas?: And Other Unseasonable Demises (1996)

Sergio Angelini
Les Blatt, VULTURES IN THE SKY, Todd Downing
Brian Busby, STORIES FOR LATE NIGHT DRINKERS, Michael Tremblays
Bill Crider, THE STARTLING WORLDS OF HENRY KUTTNER, Henry Kuttner
Scott Cupp, DOC SAVAGE: SKULL ISLAND, Will Murray
Martin Edwards, CORPSE GUARDS PARADE, Milward Kennedy
Curt Evans, UP HILL AND DOWN DALE: DEATH OF A CURATE, Kenneth Ashley
Jerry House, TARZAN, JR, Edgar Rice Burroughs
Randy Johnson, THE SHORES OF SPACE, Richard Matheson
Nick Jones, DR. WHO AND THE DALEKS, David Whitaker
George Kelley, SLAM THE BIG DOOR, John D. MacDonald
Margot Kinberg, A IS FOR ALIBI, Sue Grafton
B.V. Lawson, THE COMFORTABLE COFFIN, Richard S.Prather
Evan Lewis, WHAT PRICE MURDER, Cleve F. Adams
Steve Lewis, SCATTERSHOT, Bill Pronzini
Todd Mason, Some Anthologies from WEIRD TALES
J.V. Norris,ALARUM AND EXCURSION, Virginia Perdue
Neer, THE AFFAIR AT ALIQUID and BURGLARS IN BUCKS, Margaret and G.D.H. Cole
James Reasoner, THE BEST OF SPICY MYSTERY: VOL. 1, Al Jan editor
Gerard Saylor, GHOSTS OF BELFAST, Stuart Neville
Ron Scheer, THE PRAIRIE WIFE, Arthur Stringer
Michael Slind, DISSOLUTION, C.J. Sansom
Kerrie Smith, THROUGH THE WALL, Patricia Wentworth
Kevin Tipple, SHOTGUN SATURDAY NIGHT, Bill Crider
TomCat, THE TITANIC MURDERS, Max Allan Collins
Jim Winter, OUT OF SIGHT, Elmore Leonard

Friday’s Forgotten Books, Friday, April 28, 2013

Desperate Characters by Paula Fox (the first forgotten book)

It's difficult to remember, thirty years on, New York in the seventies, The City was facing bankruptcy, the streets were dangerous, frequent strikes left unattended garbage for the rodents, buildings crumbled. Paula Fox's novel Desperate Characters perfectly captures that time along with the similarly disintegrating marriage of Sophie and Otto Bentwood. The story begins with an unexpected cat bite. "Because it's savage," Otto answers Sophie's puzzled, "why?" It was a cat she was trying to feed that bit her. This well-intentioned act, this McGuffin, sends the couple off on a weekend odyssey, where ominous events continue to haunt the childless couple. They find little solace in each other and there is no easy resolution at the end. The quiet desperation that suffuses their story is heart-breaking. The writing is haunting, lucid, and succinct.

Fox has also written two books about her life (Borrowed Finery and The Coldest Winter), a few other novels (The Widow's Children) and many children's books. But nothing is finer than this one for me.

Ed Gorman is home again. Yippee!

TEXAS WIND, James Reasoner

We all have books we go back to several times over the years. For me one of the finest private eye novels I've ever read is Texas Wind by James Reasoner. It is a virtually perfect utterance, a story of a man, an era and a place.

While the set-up is familiar, "a missing daughter job" as Hammett once began a story of his, the op here, named Cody, gives us a Texas I'd never seen before and a private eye who might be the guy you have coffee with at the donut shop counter a couple days a week. The reality is what makes the dark surprises of the book stay real. A real person is telling you the story.

Texas is too often writ so large it becomes comic without meaning to be. James' social observations are worth the price alone. My favorite is a scene where Cody, a Southerner, wonders about a man because he's a Northerner. I've seen this written so many times by Yankees that it was a jolt realizing that it cuts both ways. I loved it.

Filled with exciting incident and humane observation, Texas Wind is one of those books that should be read by everyone who wants to write a mystery novel. This will show you how.

Livia Washburn, James' talented and lovely writer wife, is also a talented and lovely artist. Who knew? Here's her new cover for Texas Wind.


Sergio Angelini, MEMOS FROM PURGATORY, Harlan Ellison
Joe Barone, THE MADONNAS OF LENINGRAD, Debra Dean
Randal S. Brandt, CARAMBOLA by David Dodge.
Brian Busby, TORONTO DOCTOR, Sol Allen
Randall S. Brandt, CARAMBOLA, David Dodge
Bill Crider, DARK TRAVELING, Roger Zelazny
Martin Edwards, GARSTONS, H.C. Bailey
Curt Evans, THE THIRTY-NINE STEPS, John Buchan
Michael Gregorio, YARDIE, Victor Headley
Jerry House, ATOMIC CHILI: THE ILLUSTRATED JOE LANSDALE, ed. Rick Klaw
Randy Johnson, A HARD DAY'S NIGHT, John Burke
Nick Jones, Richard Stark's Parker Series
George Kelley, THE END OF THE NIGHT, John D. MacDonald
MARGOT KINBERG, DIGGER REST HOTEL, GEOFFREY McGeachin
B.V. Lawson, THE ABANDONED ROOM, Charles Wadsworth Camp
Steve Lewis/ Michael Shonk, RISING DOG, Vince Kohler
Todd Mason, INTERSECTIONS: THE SYCAMORE HILL ANTHOLOGY edited by John Kessel, Mark L. Van Name and Richard Butner; MIRRORSHADES: THE CYBERPUNK ANTHOLOGY, edited by Bruce Sterling
Jeff Meyerson, KILLING CASTRO, Lawrence Block
J.F. Norris, BENIGHTED, J.B. Priestley
Ayo Onadate, A RAGE IN HARLEM, Chester Himes
James Reasoner, BEST OFFER, Robert Calder
Gerard Saylor, THE CONSUMMATA, Mickey Spillane and Max Allan Collins
Ron Sheer, THE MANTLE OF RED EVANS, Hugh Pendexter
Michael Slind, BLOOD UPON SNOW, Hilda Lawrence
Kerrie Smith, DEATH MASK, Ellis Peters
Kevin Tipple/Barry Ergang, BURN, John Lutz
TomCat, MURDER AT THE ABA, Isaac Asimov
Rich Westwood, REVELATIONS OF A LADY DETECTIVE, William Stephens Hayward
Jim Winter, CHARLIE OPERA, Charlie Stella

Friday’s Forgotten Books, Friday, April 12, 2013

 Happy Birthday this week to Bill Pronzini. April 15th.


"Death of a Nobody" by Bill Pronzini was first published in 1970 and was later collected in ALFRED HITCHCOCK'S MYSTERY MAGAZINE'S FIFTY YEARS OF CRIME AND SUSPENSE, edited by Linda Landrigan.

You don't find many stories like this one nowadays-where a P.I follows the clues, none of them particularly surprising, to the conclusion of a case. What makes this story work, in fact,  is its ordinariness. This gives the story complete authenticity. That and lovely writing and fine details. And the voice is perfect. If someone wants to learn to write a P.I story, this one could be a model.
A skid row denizen, Nello, comes to the detective to tell him of the recent death of his friend, another skid-row fellow. He is convinced the police will do nothing to solve the crime of a bum. But the P.I., with the help of a cop, follow the trail to a satisfying conclusion.  Thus he proves to Nello that both he and the cops do care. There is no real villain in the piece-it is the sort of crime that has no big payoff other than the satisfaction of a mystery solved.


Ed Gorman

THE CRIMES OF JORDAN WISE, Bill Pronzini

While this fine novel was published in 2006, I think it's appropriate here because while it got its due critically, it deserved a much larger audience.Actuary Jordan Wise tells a joke on himself a third of the way through the novel: (paraphrase) an actuary is somebody who doesn’t have the personality to be an accountant. If you watch many true crime shows, you see a lot of Jordan Wises. People who fall into crime through circumstance rather than those who go looking for it. 

Jordan becomes a criminal only after meeting Annalise, a troubled and very attractive young woman who needs two things badly – sex and money. But in order to get the sex on a regular basis, Jordan must first provide the money. 
He embezzles a half million dollars and flees with Annalise to the Virgin Islands. In this first part of the novel, there’s nice James M. Cainian detail about how Jordan comes alive for the first time in his life. Some of this is due, whether he admits it or not, to the danger of committing a serious crime. But most of it is due to Annalise and his profound sexual awakening. The central section of the book reminds me of one of Maugham’s great South Seas tales – lust, betrayal, shame played out against vast natural beauty and a native society that, thanks to an old sea man named Bone, that Jordan comes to see value in – even if Annalise, her head filled with dreams of Paris and glamor, does not. Old Maugham got one thing right for sure – as Pronzini demonstrates here – a good share of humanity, wherever you find them, are both treacherous and more than slightly insane. There are amazing sections of writing about sea craft and sailing that remind me not of old Travis McGee but of the profoundly more troubled and desperate men of Charles Williams who find purity and peace only in the great and epic truths of the sea. That they may be as crazed and treacherous as everybody else does not seem to bother them unduly. There are also amazing sections (almost diaristic sections) where Jordan tells of us his fears and desires, his failings and his dreams. In places he deals vividly, painfully with his secret terror of not being enough of a man in any sense to hold Annalise. The publisher calls this a novel and so it is. 
Pronzini brings great original width and breadth to the telling of this dark adventure that is both physical and spiritual. He has never written a better novel, the prose here literaryin the best sense, lucid and compelling, fit for both action and introspection. You can’t read a page of this without seeing it in movie terms. The psychologically violent love story played out against a variety of contemporary settings gives the narrative great scope. And in Jordan Wise and Annalise he has created two timeless people. This story could have been set in ancient Egypt or Harlem in 1903 or an LA roller skating disco in 1981. As Faulkner said, neither the human heart nor the human dilemma ever changes.



THE LOVE CURSE OF THE RUMBAUGHS by Jack Gantos

(Review by Deb)


I came across this odd little book a few years ago when I was working in a junior high school library.  It arrived with a batch of new books for in-processing; the title grabbed me, so I started reading.  Within a few pages, I was both hooked on the story and baffled as to why it was marketed as Young Adult fiction.  I can’t imagine many teenagers getting into the story of a young girl named Ivy, her beloved mother, and their unusual relationship with twin albino pharmacists, Abner and Adolph Rumbaugh.  On the other hand, adult readers looking for something off the beaten path might enjoy this gothic meditation on nature-versus-nurture, extreme love for one’s mother, the Catholic belief system, and the notion of free will all told in the deadpan first-person narration of the aforementioned Ivy.

The story is set in a small Pennsylvania town.  There are few markers as to the time period; the sense of the book is almost early 20th-Century (for some reason, I kept thinking of Booth Tarkington’s Penrod books), so when there are occasional references to phones, radios, interstates, and cars, it comes as a surprise; it’s as if the characters are living in another era entirely from the rest of the world.  Ivy is an isolated young girl who is overly attached to her single mom.  No husband or father is in the picture—or seems to ever have been, although this never bothers Ivy who expresses no curiosity about who or where her father might be.  The only family friends Ivy and her mother have are the Rumbaugh twins who run the local pharmacy and are well-known in the area for their excellent skills as taxidermists.

Ivy’s mother works while Ivy attends a Catholic school with nuns as teachers and a Mother Superior as principal (one more way in which the book seems set in another era, because anyone who has been in a Catholic school in the past few decades knows that very few of them are staffed by nuns anymore).  There are many passages where Ivy meditates the “big questions” that are always part of any faith journey, but appear more codified in the Catholic tradition:  What is sin?  Are we predestined to live a sinful life?  If so, is there any real notion of free will or do we act in accordance with a predetermined pattern?  Ivy is a good student, but she seems apart from the other girls in her class—although she makes some friends, they are mainly of a superficial nature—her emotions are completely wound up in her mother and the Rumbaughs.

In ways that a contemporary reader can’t help but find creepy, Ivy spends all her spare time at the drugstore with the middle-aged twins.  She especially loves the little animals that the twins have stuffed, dressed up, and posed in various tableaux in glass cases (see—I told you it was creepy).  Ivy herself longs to learn the intricacies of taxidermy and the twins are eager to show her.  Soon she too is plying the taxidermist’s trade on squirrels, cats, and other small animals.  These activities are described in a very detailed fashion.  Again, this sounds very gruesome as I’m writing it, but Ivy’s narration is so matter-of-fact, we begin to accept the behavior of Ivy and the twins as normal.

What actually is the love curse of the Rumbaughs?  Well, it’s excessive love for one’s mother—you can’t read this book without thinking of Psycho—and the twins suffer from it.  Their love for their late mother is so extreme that…well, you only have to know about the twins hobby of taxidermy to guess what horrifying secret Ivy uncovers in the basement of the pharmacy one Easter morning.

And yet, because of Ivy’s straightforward style of explaining what has happened, the enormity of what the twins have done seems somehow less horrific.  In fact, it fascinates Ivy, who loves her own living mother with as much devotion as the twins love theirs.  As Ivy ages, she learns the truth about her own relationship to the Rumbaughs and begins to suffer anxiety and panic attacks whenever her mother is out of her sight.  Is she too suffering from the love curse?

To say more would be to truly undermine the enjoyment of this weird little book. Let’s just say that Ivy gets to answer many of the abstract questions she had in Catholic school with a much more concrete set of real-life examples—and leave it at that.

Sergio Angelini, PROOF OF GUILT, Bill Pronzini
Yvette Banek, SIAMESE TWIN MYSTERY, Ellery Queen
Joe Barone, THE CLAIRVOYANT COUNTESS, Dorothy Gilman
Les Blatt, BLIND DRIFTS, Clyde B. Clason
Brian Busby, City of Peril, Arthur Stringer
Bill Crider, BARON SINISTER, Joseph Hilton
Martin Edwards, STILL DEAD, Ronald Knox
Curt Evans, ETERNITY RING, Patricia Wentworth
Jerry House, SIX-GUN IN CHEEK, Bill Pronzini
Randy Johnson, THE MARSHALL, Frank Gruber
Nick Jones, MURDER ME FOR NICKELS and ANATOMY OF A KILLER, Peter Rabe
George Kelley, A FLASH OF GREEN, John D. Macdonald
Margot Kinberg, THE CASE OF THE GILDED FLY. Edmund Crispin 
B.V. Lawson, LOS ALAMOS, Joseph Kanon
Evan Lewis, LOVELY LADY, PITY ME, Roy Huggins
Steve Lewis, Dan Stumpf, THE OUT IS DEATH, Peter Rabe
Todd Mason GRAVEYARD PLOTS by Bill Pronzini (1985); WITCHES BREW (1984) and KILL OR CURE (1985), edited by Marcia Muller and Bill Pronzini
Neer, DEATH IN CYPRUS, M.M. Kaye
J.F. Norris, DEATH IN THE LIMELIGHT, A.E. Martin
J. Kingston Pierce/Linda Barnes, LIFE'S WORK, Jonathan Valin
James Reasoner, FANG-TUNG MAGICIAN, H. Beford-Jones
Gerard Saylor, THE LONELINESS OF THE LONG DISTANCE RUNNER, Alan Sillitoe
Ron Scheer, THE YOUNGEST WORLD, Robert Dunn
Michael Slind, BLACK WIDOW, Patrick Quentin 
Kerrie Smith, THE 4:50 FROM PADDINGTON, Agatha Christie
Kevin Tipple, THE BOOK OF MURDOCK, Loren D. Estleman
Jim Winter, NEEDFUL THINGS, Stephen King